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Wednesday, January 23, 2013

Uncle Tom's Cabin, The Bible & America #1

Posted on 4:49 PM by Unknown
I hate to admit that in 1990 if some one had mentioned "Uncle Tom's Cabin" to me, the only reference to come to my mind would have been the hair band Warrant.  To be sure it was a different sort of song for a metal band - no drugs and no sex. The song was something of an allegory. To this day I can still sing the lyrics.  The song opens ...

"Just for the record let's get the story straight.
Me and Uncle Tom were fishing it was getting pretty late.
Out on a cypress limb above the "Wishin' Well."
Where they say it got no bottom, say it take you down to hell!

Over in the bushes and off to the right.
Come two men talkin' in the pale moon light.
Sheriff John Brady and Deputy Hedge,
Haulin' two limp bodies down to the water's edge.

I know a secret down at Uncle Tom's Cabin, oh yeah.
I know a secret that I just can't tell."

Three years out of high school, and nearly the same number of college years under my belt, I was stunningly ignorant of not just "American" history but black American history. I knew nothing of the stories of Mickey Schwerner, James Chancey and Andy Goodman, [1] and many more Civil Rights works and Freedom Riders that were murdered either by, or with the help of, law enforcement.  But in 1990 Uncle Tom's Cabin was simply a great rock song to jam to on the way down the highway.  In 1995 I learned there was a book by Harriet Beecher Stowe by this title and read it for the first time in response to a black friend who told me my world was to white. Since then I revisited the book in 2001 and again at the end of 2012.  Being far more mature and knowledgeable in 2012 my reading was considerably richer.

Harriet Beecher Stowe (1811-1896)

Uncle Tom's Cabin or, Life Among the Lowly is possibly the quintessential American novel and without a doubt the most influential book outside the Bible to ever hit the shelves in America. Historian David Reynolds states baldly in his history of the lives and after lives of UTC, Mightier than the Sword: Uncle Tom's Cabin and the Battle for America, "No book in American history molded public opinion more powerfully than Uncle Tom's Cabin" (p.xi). It was by far the runaway best seller of the 19th century but unlike the contemporary Da Vinci Code it changed the world.

When  Abraham Lincoln met Stowe in December 1862 he is quoted as having said "Is this the little woman who made this great war?" [2]. Harriet was born into what became a large, prominent and reforming family in America.  Some one said of Lyman Beecher, Harriet's father, on his seventy-ninth birthday that he was "The father of more brains than any man in America" [3]. Among her famous siblings were Henry Ward Beecher.  Unlike some other famous families the Beechers were not fabulously rich (Harriet lived in poverty until after Uncle Tom was published) rather they were famous because they rocked the American boat. 

Harriet married Calvin Stowe in 1836.  Calvin, whose first wife died of cholera, was Professor of Greek at Lane Theological Seminary in Cincinnati.  Calvin was fluent in seven languages, had a good sense of humor and encouraged his wife's writing abilities.

Stowe embraced an abolitionist position over time.  Her father, Lyman Beecher, was anti-slavery but considered abolitionism to be extreme.  Before Lyman moved to Cincinnati one of his parishioners was William Loyd Garrison who emerged as a radical abolitionist. Garrison and the elder Beecher had a falling out over what Lyman believed was the former's extremism. The elder preacher focused upon what he thought were the real sins of the day "rum, Sabbath-breaking, Catholicism, and gambling." [4] He exhorted Garrison on slavery, "you can't reason that way! You must take into account what is expedient as well as what is right." For his part the editor of the Liberator became convinced that the Christian church, the American government and the Constitution had been corrupted to the core by the slave interest.  Harriet moved far beyond her father on slavery and the issue of race period.  She met with Garrison, and though reticent about his heretical reputation came to appreciate him greatly as an ally and friend.  She said that no one could "know him and not love him--love him personally, love him for his earnestness and his faithfulness."  But she did ask him "Mr. Garrison, are you a Christian?" [5]

What pushed Stowe beyond her father and into the abolitionist fold? Scholars point to a number of reasons.  The underground railroad passed, almost literally, by her front door step.  She and her husband Calvin were confronted with the reality of fugitive slaves when they learned that a girl in their employ was in fact a runaway slave.  Her husband Calvin, and her brother, Henry Ward Beecher, helped the girl escape via the Underground Railroad through a friend John Van Zandt (who shows up in UTC as John Van Trompe).

Second major source of antipathy for slavery as a system per se in Stowe was the pervasive sexual exploitation of female slaves by white "masters." This exploitation was common in two ways: 1) the sexual gratification of white males and 2) forcing females to become "breeders."  Many female slaves were forced to have sexual relations with various men in order to "breed" a fresh crop of slaves to work or sell.  Eliza Buck, a young "mulatto girl" and fugitive slave, came to the Stowe household in Cincinnati. She was the offspring of an illicit encounter between her former master and her slave mother.  She too became the victim of repeated rapes by the same man. Eliza told Stowe of being sold down in Louisiana and then to Kentucky.  Harriet had also met Lewis Garrard Clarke, an escaped slave so light he could pass for white. Clarke's family had been broken apart and variously sold, his sister being sent to New Orleans as a sex slave. Clarke's sister was befriended by a Frenchman who purchased her freedom. Harriet brings this secret "privilege" of the white slave owner out in full view in UTC. She was disgusted by it. The havoc of slavery on families ... indeed in most southern states marriage was illegal for blacks ... was an abomination to God. Stowe illuminates powerfully the family bond among slaves whether legal or not.

Another source of Stowe's growing hatred of slavery was the violence used by those who protected the system.  James Birney a family friend was a former slave owner who emancipated his slaves. He began what he believed was a mild and moderate voice for the emancipation cause, The Philanthropist. But on July 30, 1836 a mob estimated to be about 4000 strong, surrounded Birney's Cincinnati office, smashed his press and threw it in the Ohio. The mob then proceeded to pillage streets with the houses of free blacks.  Birney just escaped with his life.[6] The next year however, Elijah P. Lovejoy, a special friend, was attacked and murdered by a mob of proslavery advocates.

Finally Stowe became a reader of slave narratives. The stories of Josiah Henson, Henry Bibb, Lewis Clarke, Frederick Douglass, Sojourner Truth and others. These heroic tales revealed to her people, not animals, with a thirst for liberty, capacity for learning and critical thinking, and above all the capability of pride in being God's creation. Stowe came to embrace the humanity of the African slave.

Harriet Beecher Stowe became convinced that Christianity and slavery was absolutely incompatible. In Uncle Tom's Cabin she unsparingly exposed the toll that slavery took upon both blacks and whites who, surprisingly, are bound by a common humanity.  For her the responsibility of slavery lie with both Southerners and Northerners who made economic profit off it. Slavery was more than a personal evil but a systemic evil that must be atoned for.  Indeed slavery was America's Calvary ... the beaten and dying slave was the American Christ.  That was Tom!

Wrapping up Part One ... Factoids to Whet the Appetite

Two of the most frequent responses to Uncle Tom's Cabin are:  1) the surprise that Tom was no "Uncle Tom" and 2) just how profoundly "religious" the work is.  The stereotype of "uncle Tom" as weak, servile, and passive is the work of a massive subversion of the book. Not only is Tom incredibly strong but George Harris (another major character) is a Malcolm X kind of man. When I think of Tom now I think of Rosa Parks and Martin Luther King Jr ... brave and willing to suffer on behalf of others. This is no trait of a weak and cowardly person. 

Stowe was an inspiration to both Leo Tolstoy (who thought UTC was a brilliant novel and I would say he was a qualified critic) and Vladimir Lenin who held UTC was his favorite novel from childhood [7]. Translated into 37 languages, used as a Sunday School text, adapted into countless "Tom" plays ... UTC remained a powerful and subversive force even when it was forgotten by many. 

More to come ...

Notes:

1] See the classic by  William Bradford Huie, 3 Lives for Mississippi with an Intro by Martin Luther King, Jr (New American Library, 1964, reprinted several times)

2] Daniel Vallaro discusses this remark and its authenticity at length in "Lincoln, Stowe, and the 'Little Woman/Great War' Story: The Making and Breaking of a Great American Anecdote," in Journal of the Abraham Lincoln Association (Winter 2009) at www.historycooperative.org/journals/jala/30.1/vollaro.html#FOOT54

3] Quoted in Debby Applegate's Pulitzer Prize winning biography, The Most Famous Man in America: The Biography of Henry Ward Beecher (Three Leaves Press 2006), 264.

4] David Walker, free black and fellow Bostonian, castigates white Christian preachers for condemning these very evils and yet turning a blind eye to slavery.  "The preachers and people of the United States form societies against Free Masonry, Sabbath breaking, Sabbath mails, Infidelity, &c. &c. But the fountain head [i.e. slavery] compared with which, all those other evils are comparatively nothing, and from the bloody and murderous head of which they receive no trifling support, is hardly noticed by Americans." David Walker's Appeal to the Coloured Citizens of the World, ed. Peter P. Hinks, (Penn State Press 2000), 44.  Walker and his Appeal had a profound impact upon Garrison.

5] Henry Mayer, All on Fire: William Loyd Garrison and the Abolition of Slavery (St. Martins Press 1998), 417-424, quotes from p. 421.

6] David S. Reynolds, Mightier than the Sword: Uncle Tom's Cabin and the Battle for America (W. W. Norton 2011), 93-94.

7] ibid., 175
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Posted in Bible, Black History, Contemporary Ethics, Harriet Beecher Stowe, Hermeneutics, Kingdom, Race Relations, Slavery, Uncle Tom's Cabin | No comments

Thursday, January 17, 2013

For the Needy will not Always be Forgotten - The Psalms and the Poor

Posted on 12:22 PM by Unknown
Welcome to a New Year (2013).  May the Lord of Israel grant us shalom as we wait for final redemption to appear.  As I write the nation of which I live (USA) has descended into virulent verbal war over guns, not just any guns but assault rifles, large magazines (the kind with bullets not words), and even types of ammunition.  I grew up with guns, I like to shoot them, and I respect them.  I find the tone of this "discussion" is unbelievably base (from both sides) and you would think that heaven depends on this ugly debate.  But as much as I like guns I refuse to let that issue become my purpose for being.  Can you imagine beloved, what would happen in the United States if we were as insanely passionate about genuine biblical justice and shalom as the Bill of Rights? For those out there that speak so pervasively about the pattern (I think they frequently have a make believe pattern like Alice in Wonderland) but are deathly silent on the real pattern of concern for the poor as a matter of kingdom obligation in Scripture.  So my first blog of 2013 is not about guns but about the real pattern - the pattern of neighborly love - of caring for the poor, seeking shalom for all God's creation, and living out God's justice. The Psalms (a book an elder once said to me "It is a shame Psalms is in the Old Testament there are some good passages in there") reveals the heart of God's concern ... through worship.

Worship and Justice

I take my title from Psalm 9.18, "For the needy will not always be forgotten, and the hope of the poor will not die forever." In Churches of Christ (I will generalize here) we have been raised on a diet of worship that has focused primarily upon mechanics. Is it lawful to sing during the Lord's Supper? Is it according to the pattern to have one or multiple cups? Are worshiping falsely (= in vain) if we use a pitch pipe or a rhythm guitar (no to the former and yes to the latter!).  These, and similar questions, that have consumed our corporate thinking are issues of mechanics.  Zeal for them has often let us believe that our Gatherings were "in spirit and truth" if we abstained from these innovations.  But we have failed to see that none of these questions actually bring us back to Scripture and its vision of worship.  Biblical false worship castigated in the prophets focused on the lack of implementation in Israelite daily life of the vision of God's world of shalom encountered in their holy assemblies. Thus when Yahweh rejects Israel's worship in Amos 5.23 it is not because God really hates harps as some zealously imagine [1].  The text reads

"Take away from me the noise of your songs; I will not listen to the melody of your harps.
But let justice roll down like waters, and righteousness like an ever flowing stream." (5.23-24)

Yahweh has already rejected their worship (vv. 21-22). But Amos is not telling us God is opposed to Israel's worship because of harps nor is he opposed to the "songs" being sung.  What songs are those? Almost certainly the songs sung are what becomes part our book of Psalms - songs of the kingdom! Rather what is nauseating to the Lord, is the failure of the worshipers to appreciate the connection between their Gathered worship and neighborly love ... i.e. justice. Vain worship is in fact possible!  But it is not simply a matter of "mechanical instruments of music."  Vain worship is leaving the assembly without a commitment to spread the love of God to those around us.  Worship demands our (my) involvement in cultivating the vision of the world that is proclaimed in and through worship.

What "Songs" Were Offered

Amos mentions the "songs" that God rejects.  God loves David's lyrical poetry but he felt about Israel daring to sing such music the same way many Evangelicals would about Madonna singing "Mary Did You Know!" The chasm between the lyrics and the life of the person singing is rightly appalling. I will return to Pss 9-10 below but here is a sampling of the lyrics offered to God in prayer and Gathered worship ... [2]

"O LORD, who is like you?
You deliver the weak
from those to strong for them,
the weak and needy from those who 
crush them" (35.10)

"Happy/Blessed are those who consider the poor;
the LORD delivers them in the day of trouble.
The LORD protects them and keeps the alive;
they are called happy in the land.
You do not give them up the will of their enemies.
The LORD sustains them on their sickbed;
in their illness you all their infirmities" (41.1-3)

"Father of orphans, defender of widows,
such is God in his holy dwelling;
God gives the lonely a permanent home,
makes prisoners happy by setting them free" (68.5-6, JB)

"Be pleased, O God, to deliver me.
O LORD, make haste to help me!
Let those be put to shame and confusion
who seek my life ...
Let those who love your salvation
say ever more that "God is Great!'
But I am poor and needy;
hasten to me, O God!
You are my help and my deliverer;
O LORD, do not delay" (70. 1-5)

"Give the king your justice, O God ...
May he judge your people with righteousness,
and your poor with justice.
May the mountains yield prosperity for the people,
and the hills, in righteousness.
May he defend the cause of the poor of the people,
and give deliverance to the needy,
and crush the oppressor ...
For he delivers the needy when they call,
the poor and those who have no helper.
He has pity on the week and the needy,
and saves the lives of the needy.
From oppression and violence he redeems their life;
and precious is their blood (i.e. life) in his sight" (72.2-4; 12-14)

These, and many more, kingdom songs of Israel were rejected by God.  Not because they used harps to sing them nor because the theology is "this worldly."  Rather they were rejected precisely because the Israelites did not live the words they offered to God as their sacrifice of praise. These ancient hymns invite both Israel of old, and us today, to believe in a certain kind of God and a certain kind of world in which he is King. Daring to enter the gracious Presence of Yahweh and singing the songs of his kingdom is an act (yes act - I know that some of my friends don't like that word) that commits us to implement the vision of justice and shalom not only for ourselves but for our neighbors - so they too may have justice and shalom in God's world.

But we often do not hear these ancient kingdom songs. There are multiple reasons for this. First in our religious tradition the Hebrew Scriptures as a whole have mostly been mined for three purposes if at all 1) messianic prophecy; 2) polemical use in debates on the mechanics of worship listed above; and 3) occasional character studies of such people as Joseph, Hannah, Samuel and David.  Second because these texts were not among the "good passages" in the Psalms the elder mentioned - he liked Ps 23 - they did not become part of our functional canon.  But the loss of the "Old Testament" and the laments or cries for help in the Psalms from our daily prayers and our theology is "costly" [3].

Loosing the Songs of the Kingdom

But God does not want these songs of the kingdom lost. What God desires is for the vision of these psalms to become the pattern of our life as we live for him in in a fallen world full of injustice. It seems there are at least three serious costly consequences in our communal and personal lives when we either rarely sing/pray these psalms or never encounter them at all:

1) We silence the voice of the victims of injustice both in Scripture and "life" and thus have no "ears to hear"

2) We fail to have "eyes to see" and thus do not recognize injustice and those performing it - indeed we may end up siding with the oppressors

3) We are robbed of the opportunity to pray for and commit ourselves to the pursuit of God's kingdom and righteousness in our lives and his shalom in the world [4].

Constant exposure to the Story of God in the wider canon and the singing of the songs of the kingdom remind us that God is the God of the poor.  Through constant exposure to the songs Israel sang, but did not live, we come to embrace the vision that David Lipscomb grasped with clarity.  That vision is captured in this radical statement by the then editor of the Gospel Advocate:

"The poor of this world were the chosen vessels of mercy, the especially honored and blessed of God. They, as a class, constitute his elect."

Rather than a few isolated texts of "whiners" as WASP's may be tempted to look at the voices in
the Psalms, we come to embrace them as the voices of God's elect (to use DL's words).  Even if I, or you, have never experienced the poverty, the pain, the suffering, the humiliation of our humanity that many do, God in his wisdom and grace is giving us the opportunity to identify with the victims in an act of neighborly love and make their prayers our prayers and the concerns of their lives the concerns of ours.  Israel, perhaps, found it more profitable to be on the side of winners rather than the losers.

The Needy Will Not Always Be Forgotten

"But the LORD sits enthroned forever,
he has established his throne for judgment.
He judges the world with righteousness;
he judges the peoples with equity.
The LORD is a stronghold for the oppressed,
a stronghold in times of trouble ...
Sing praises to the LORD, who dwells in Zion ...
For he who avenges blood is mindful of them;
he does not forget the cry of the afflicted ...
For the needy will not always be forgotten,
nor the hope of the poor perish forever ... (9.7-9, 12, 18)

I began with Psalm 9-10 and I want to return here. This psalm, or song of the kingdom, gives us a special window not only on the victim but also to the purveyor of injustice. We have a lyrical portrait - from the perspective of the victim - of the ones seeking gain anyway then can get it (See 10.4, 6, 11, 13). What emerges from this song sung in Gathered worship is the picture of one who is self-centered and believes he answers to no one for his economic choices (this is common in the Psalms see Pss 3.1-2; 14.1; 42.10; 53.1; 64.5-6; 73.11; 79.10; 115.2).  In fact what is being described sounds very much like business as usual in most corporate contexts.

But in worship we confess that Yahweh is in fact King "enthroned forever ... upon his throne for judgment" (9.7). Merely by confessing his Lordship, we deny the life and the values of the oppressor.  Those with illusions of power and self-control imagine, we confess in the kingdom song, are deluded because we declare "But you do see!! (10.14).  We side with the King in our worship.  We confess to a reality that is not seen nor believed by the powerful. In in the world of worship we cast aside our unwitting embrace of oppressive values - even economic values - that take away the dignity of our neighbor. We sing the songs of the kingdom of remembering the poor and then we become the living words of the song in flesh and blood.

Final Thoughts

We end where we began. Worship and justice cannot be separated in the biblical pattern. True worship results in lives that are sound and Spiritually healthy in the Pauline sense. True worship is about a vision of the God who is King. In our Gathered worship we are reminded that Yahweh calls for more than a melody emanating from our vocal chords. He demands that we "do justice" (Micah 6.8). The poor will not be forgotten.  The victims of those "who can" will not be erased from the story.  The widows shafted by corporations is seen by God. The children living on the street cold and hungry do not fall between God's cracks. The "aliens" who are used and abused to avoid paying taxes or a fair wage have the King's ear. Because we dare to come into his Presence, sit at his Table, read his Scriptures, and sing his songs ... then they better have ours.  Our singing of the songs of the kingdom lead us to be the one's who answer the Lord's Prayer - we live his will on earth as we see in the vision of heaven in worship.  When that happens the poor will never be forgotten among God's people.

Notes:

1] See Douglas Stuart, Hosea-Jonah: Word Biblical Commentary (Waco, TX: Word Publishing, 1987), 353-356 on the text and context.

2] For fellowship with the poor as a "means of grace" see my book with John Mark Hicks, Kingdom Come: Embracing the Spiritual Legacy of David Lipscomb and James Harding (Leafwood, 2006), 93-109.

3] See his rich essay "The Costly Loss of Lament," JSOT 36 (1986):

4] For an outstanding look at the Psalms as "Hope for the Poor" and the toxic consequences of silencing certain texts see J. Clinton MCann's "The Hope of the Poor: The Psalms in Worship and Our Search for Justice," in Touching the Altar: The Old Testament for Christian Worship, ed. Carol M. Bechtel (Eerdmans 2008), 155-178.
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Posted in Bible, Contemporary Ethics, Discipleship, Exegesis, Hebrew Bible, Kingdom, Psalms, Worship | No comments
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